‘La Bete’ on Broadway, a Review

la bete on broadway

Voters for the Tony Awards have a major problem on their hands. Can they give Mark Rylance the Best Actor award again, a mere three years after Boeing, Boeing? Certainly they will be unable to avoid nominating him for his astounding comic performance in David Hirson’s masterful La Bête.

La Bête (The Beast or The Fool), first produced on Broadway in 1991 to little acclaim although it went on to win an Olivier Award in London, is something of a tour de force.

Written in rhyming couplets in the manner of Moliere, set in Moliere’s France, and dealing with the sort of cultural hypocrisies that were Moliere’s bread and butter, Hirson’s play seems uncannily of the moment nearly twenty years on, with much to tell us about the current debased state of our entertainment culture. (Are you reading this Snooki?) Perhaps that is the definition of great dramatic art.
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